Wonder Woman Rebirth Issue 6 Read Online
| Wonder Adult female | |
|---|---|
 Cover of Wonder Woman #1 (summer 1942), | |
| Publication information | |
| Publisher | DC Comics |
| Format | Ongoing series |
| Genre | Superhero |
| Publication engagement | List
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| No. of issues | Listing
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| Primary character(southward) | List
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| Artistic team | |
| Created by | William Moulton Marston Harry G. Peter Elizabeth Holloway Marston |
| Written by | List
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| Penciller(southward) | List
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| Inker(s) | List
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Wonder Adult female is an ongoing American comic book series featuring the DC Comics superhero Wonder Adult female and occasionally other superheroes as its protagonist. The graphic symbol first appeared in All Star Comics #8 (embrace dated Dec 1941), later featured in Sensation Comics (January 1941) series until having her own solo title.
The series would contain many volume revamps and many new writers during the ages. Many of the events within the DC Universe affected the stories of the titular superhero with several reboots such as Crisis on Space Earths and The New 52.
The series was given a relaunch in 2016, when DC Comics rebooted its unabridged line of titles in an event chosen DC Rebirth. The serial received a revamp in 2021, as part of a line-broad relaunch called Infinite Frontier, with effect #770.
Book 1 [edit]
Golden Age [edit]
Wonder Adult female first appeared in All Star Comics #8 (December 1941), during the era known to comics historians as the "Golden Historic period of Comic Books". Post-obit this debut, she was featured in Sensation Comics #one (January 1942), until starting in her own series in Summertime 1942.[one] [2]
During 1942 to 1947, images of spring and gagged women frequently graced the covers of both Awareness Comics and Wonder Woman. An early instance is a scene in Wonder Woman #three (Feb.-March 1943) in which Wonder Woman herself ties up several women, dresses them in deer costumes and chases them through the forest. Afterwards, she rebinds them and displays them on a platter.[3] [4]
Various Wonder Adult female enemies would debut in the comic serial. Consequence #1 introduced Wonder Woman's nemesis, Ares, as the embodiment of all abnormal emotions, evil, and essentially all that Wonder Woman was against. In consequence #5, the grapheme of Doctor Psycho, a murderous psychopath with an intense hatred of women, was debuted,[v] Issue #vi introduced the Cheetah while issue #9 introduced Giganta. Also effect #9 debuted Queen Clea, which would later on help form the female supervillain team Villainy Inc. Later on, issue #49 debuted some other recurring enemy, Circe.[one]
Silver Historic period [edit]
Wonder Adult female experienced significant changes from the late 1950s through the 1960s during the Argent Age of Comic Books. Harry Yard. Peter was replaced by Ross Andru and Mike Esposito in result #98 (May 1958),[vi] [7] and the character was revamped as were other characters in the Silver Age. In Diana's new origin story (consequence #105), it is revealed that her powers are gifts from the gods. Receiving the blessing of each deity in her crib, Diana is destined to become equally "beautiful as Aphrodite, wise every bit Athena, stronger than Hercules, and swifter than Mercury". Further changes included the removal of all World War II references from Wonder Woman's origin, the changing of Hippolyta'due south hair color to blonde, Wonder Woman'southward new ability to glide on air currents, and the introduction of the rule that Paradise Island would be destroyed if a man e'er set up foot on it.[1]
In the 1960s, regular scripter Robert Kanigher adapted several gimmicks which had been used for Superman. As with Superboy, Wonder Woman's "untold" career as the teenage Wonder Girl was chronicled.[ane] Foils of Wonder Woman in the Robert Kanigher run included the Angle Man.[one]
The Diana Prince era and the Statuary Historic period [edit]
In 1968, nether the guidance of scripter Denny O'Neil and editor/plotter/artist Mike Sekowsky,[8] Wonder Woman surrendered her powers to remain in "Man's World" rather than accompany her fellow Amazons to another dimension where they could "restore their magic" (part of her motivation was to assist Steve Trevor, who was facing criminal charges).[9]
Now a mod bazaar owner, the powerless Diana Prince acquired a Chinese mentor named I Ching. Nether I Ching's guidance, Diana learned martial arts and weapons skills, and engaged in adventures that encompassed a variety of genres, from espionage to mythology. During this time she fought villains such as the Catwoman, Medico Cyber, the hippie gang Them!, and the campy witch Morgana.[nine]
This new era of the comic volume was influenced by the British television series The Avengers, with Wonder Woman in the part of Emma Peel.[10] With Diana Prince running a boutique, fighting offense, and acting in concert with individual detective allies Tim Trench and Jonny Double, the grapheme resembled the Gold Historic period Black Canary. Shortly later on the launch of the "new" Wonder Adult female, the editors severed all connections to her old life, most notably by killing Steve Trevor.[xi]
During the 25 bi-monthly problems of the "new" Wonder Woman, the writing team changed four times. Consequently, the stories display abrupt shifts in setting, theme, and tone. The revised series attracted writers not normally associated with comic books, most notably science fiction author Samuel R. Delany, who wrote Wonder Woman #202–203 (October and Dec 1972).[9]
The I Ching era had an influence on the 1974 Wonder Adult female TV movie featuring Cathy Lee Crosby, in which Wonder Woman was portrayed every bit a non-superpowered globe-trotting super-spy who wore an constructing of the Wonder Adult female and Diana Prince costumes. The get-go two bug of Allan Heinberg'due south run (Wonder Woman (vol. iii) #one–2) include direct references to I Ching, and feature Diana wearing an outfit similar to that which she wore during the I Ching era.[9]
Wonder Adult female'south powers and traditional costume were restored in upshot #204 (January–February 1973).[12] Gloria Steinem, who grew upwardly reading Wonder Woman comics, was a primal histrion in the restoration. Steinem, offended that the most famous female superheroine had been depowered, placed Wonder Adult female (in costume) on the embrace of the outset event of Ms. (1972) – Warner Communications, DC Comics' possessor, was an investor – which also contained an beholden essay about the character.[13]
The render of the "original" Wonder Woman was executed past Robert Kanigher, who returned equally the title's writer-editor. For the first year, he relied upon rewritten and redrawn stories from the Golden Historic period.[nine] [14]
Following the popularity of the Wonder Woman TV serial (initially set during World War Two), the comic book was as well transposed to this era.[15] The alter was made possible past the multiverse concept, which maintained that the 1970s Wonder Woman and the original 1940s version existed in two carve up withal parallel Earths. A few months later the Idiot box serial changed its setting to the 1970s, the comic book returned to the contemporary timeline. Soon later on, when the series was written by Jack C. Harris, Steve (Howard) Trevor was killed off yet once again.[nine]
Writer Gerry Conway brought Steve Trevor back to life once more in issue #271 (September 1980).[16] Post-obit Diana's renunciation of her role as Wonder Woman, a version of Steve Trevor from an undisclosed portion of the Multiverse accidentally made the transition to Earth-I. With Diana's memory erased past the Mists of Nepenthe, the new Steve again crash-landed and arrived at Paradise Island. Later on reclaiming the title of Wonder Woman, Diana returned to Military Intelligence, working with Trevor and re-joined by supporting characters Etta Processed and General Darnell.[ix]
In the preview in DC Comics Presents #41 (Jan 1982), writer Roy Thomas and penciler Gene Colan provided Wonder Woman with a stylized "WW" keepsake on her bodice, replacing the traditional eagle.[17] The "WW" emblem, dissimilar the eagle, could exist protected as a trademark and therefore had greater merchandising potential. Wonder Woman #288 (February 1982) premiered the new costume and an contradistinct cover imprint incorporating the "WW" emblem.[18] The new emblem was the creation of Milton Glaser, who also designed the "bullet" logo adopted by DC in 1977, and the encompass banner was originally made past studio letterer Todd Klein, which lasted for a year and a half earlier being replaced past a version from Glaser's studio.[19] [twenty] Dann Thomas co-wrote Wonder Woman #300 (February. 1983)[21] [22] and, as Roy Thomas noted in 1999 "became the first woman ever to receive scripting credit on the world'due south foremost super-heroine."[23]
Later the difference of Thomas in 1983, Dan Mishkin took over the writing. Mishkin and Colan reintroduced the character Circe to the rogues gallery of Wonder Woman's adversaries.[24] Don Heck replaced Colan as artist as of issue #306 (Aug. 1983) just sales of the title continued to decline.[25] Before long later on Mishkin's departure in 1985 – including a 3-result run by Mindy Newell and a never-published revamp by Steve Gerber -[26] the series ended with issue #329 (Feb. 1986). Written past Gerry Conway, the final outcome depicted Wonder Woman'due south marriage to Steve Trevor.[ix]
Huntress series [edit]
Despite the name title, Wonder Adult female was not the only graphic symbol featured in volume 1 of the series. Beginning with issue #271 (September 1980), the character Huntress (Helena Wayne), appeared equally backup features in problems of Wonder Woman in her own solo serial.[27]
Volume two [edit]
Wonder Adult female (vol. 2) #1 (February 1987),
fine art by George Pérez
Following Crisis on Space Earths, Wonder Woman was rebooted in 1987, past author Greg Potter, who previously created the Jemm, Son of Saturn series for DC, was hired to rework the character. He spent several months working with editor Janice Race[28] on new concepts, before being joined past writer/artist George Pérez.[29] Inspired by John Byrne and Frank Miller's work on refashioning Superman and Batman, Pérez came in as the plotter and penciler of Wonder Woman.[30] Potter dropped out of writing the series afterwards issue #two,[31] [32] and Pérez became the sole plotter. Initially, Len Wein replaced Potter but Pérez took on the scripting as of outcome #eighteen. Mindy Newell would return to the championship as scripter with issue #36 (November 1989).[33] Pérez produced 62 issues of the rebooted championship. His relaunch of the grapheme was a disquisitional and sales success.[34]
Pérez and Potter wrote Wonder Woman equally a feminist character, and Pérez's research into Greek mythology provided Wonder Adult female's earth with depth and verisimilitude missing from her previous incarnation.[35] [36] The incorporation of Greek gods and sharply characterized villains added a richness to Wonder Adult female'due south Amazon heritage and gear up her apart from other DC heroes.[ix]
Wonder Woman was now a princess and emissary from Paradise Island (now called Themyscira) to Patriarch's World. She possessed stunning beauty and a loving heart, gifts from the goddess Aphrodite. From Athena, she received the gift of groovy wisdom; from Demeter, the power and forcefulness of the earth; from Hestia, sisterhood with fire; and from Artemis, unity with beasts and the instincts and prowess of a hunter. Finally, Diana received the gift of speed and the power of flight from the god Hermes.[9]
The American theme of Diana's costume was explained by Pérez in the Challenge of the Gods storyline in which Diana engaged in a series of trials arranged by Zeus as penalisation for refusing his advances. Diana met the spirit of Steve Trevor's mother, Diana Trevor, who was clad in armor identical to her own. Trevor revealed that during World War Two she had crashed on Themyscira while on duty as a U.S. Army pilot. She blundered into an Amazon battle confronting Cottus, a multi-armed demon, at the portal to the underworld. Trevor was drawn into the battle, although she was armed only with her side arm. She wounded the beast before suffering a mortal blow, assuasive the Amazons to reseal the portal.[37]
Impressed past this unknown woman'south cocky-sacrifice, the Amazons entombed her with honors and clothed her in armor displaying the American flag pattern on her uniform, which they assumed were her heraldic colors.[37] Trevor's legacy was also the primary reason why Ares arranged for Steve Trevor to flop the isle, as he could not resist the irony of the heroine'south son unwittingly killing her admirers.[37]
Wonder Woman did non keep her identity a secret, and initially did non consider herself a superheroine. Indeed, her grapheme was wide-eyed and naive, innocent and without guile. Diana spoke only Themyscirian, a variation of ancient Greek, and had to learn English when she arrived in the United States. Fortunately, Diana soon met Julia Kapatelis, a scholar in Greek culture, and her daughter Vanessa Kapatelis who helped the Amazon princess adjust to the world of men. Notwithstanding, for all her credible naiveté, Diana was a trained warrior, and had no compunction against using deadly forcefulness when it was called for. For example, she felled the god Deimos in battle and felt completely justified under the circumstances. Through Pérez's tenure on the book, Diana confronted war, injustice, inequality, expiry and conflicts involving the Olympian Gods.[nine]
Wonder Adult female's supporting characters were altered as well. In addition to the introduction of the Kapatelises, Steve Trevor was changed into an Air Force officeholder considerably older than Diana, thus sidestepping the traditional romance betwixt the two. Instead, Trevor became involved with Etta Processed, a mature military officer possessing a plump physique. The Greek war god Ares and the witch Circe eventually became ii of Diana's greatest enemies. Her rogues gallery included the Cheetah, a adult female who could transform into a ferocious feline-humanoid creature; and the Silver Swan, a once-deformed radiation victim granted beauty, wings and deafening sonic powers through genetic engineering.[9]
Following Pérez, William Messner-Loebs took over equally writer and Mike Deodato became the creative person for the championship. Messner-Loebs introduced Diana's Daxamite friend Julia in Wonder Adult female vol. 2 #68 during the six-issue infinite arc.[38] [39] Messner-Loebs's about memorable contribution to the championship was the introduction of the red-headed Amazon Artemis, who took over the mantle of Wonder Woman for a short time. He also included a subplot during his run in an attempt to further humanize Diana by having her work for a fictional fast food chain called "Taco Whiz".[9]
John Byrne'southward run included a period in which Diana'due south mother Hippolyta served equally Wonder Woman, having traveled back to the 1940s, while Diana ascended to Mount Olympus equally the Goddess of Truth after being killed in result #124. In addition, Wonder Woman'south Amazon ally Nubia was re-introduced as Nu'Bia, scripted by a different author.[40] Byrne posited that Hippolyta had been the Golden Age Wonder Woman. Byrne restored the series' condition quo in his last issue.[41]
Author Eric Luke next joined the comic and depicted Diana as often questioning her mission in Man'due south Globe, and most primarily her reason for existing. His near memorable contributions to the championship was having Diana split herself from humanity by residing in a floating palace called the Wonder Dome, and for a godly battle between the Titan Cronus and the diverse religious pantheons of the world. Phil Jimenez, worked on the title beginning with issue #164 (Jan 2001),[42] and produced a run which has been likened to Pérez'south, specially since his art bears a resemblance to Pérez'south. Jimenez's run showed Wonder Woman as a diplomat, scientist, and activist who worked to help women beyond the earth go more self-sufficient. Jimenez too added many visual elements found in the Wonder Woman television set series. One of Jimenez'southward story arcs is "The Witch and the Warrior", in which Circe turns New York Metropolis's men into beasts, women against men, and lovers against lovers.[43] [44] [45]
Afterward Jimenez, Walt Simonson wrote a six-issue homage to the I Ching era, in which Diana temporarily loses her powers and adopts an all-white costume (Wonder Adult female (vol. two) #189–194). Greg Rucka became writer with issue #195. His initial story arc centered upon Diana's authorship of a controversial book and included a political subtext. Rucka introduced a new recurring villain, ruthless businesswoman Veronica Cale, who uses media manipulation to endeavor to discredit Diana. Rucka modernized the Greek and Egyptian gods, updating the toga-wearing deities to provide them with briefcases, laptop computers, designer clothing, and modern hairstyles. Rucka dethroned Zeus and Hades, who were unable to move with the times as the other gods had, replacing them with Athena and Ares as the new rulers of the gods and the Underworld. Athena selected Diana to be her personal champion.[9]
Volume iii [edit]
In conjunction with DC'southward "I Yr After" crossover storyline, Wonder Woman (vol. iii) was launched with a new consequence #1 (June 2006), written past Allan Heinberg with fine art by Terry Dodson. Her bustier features a new pattern, combining the traditional eagle with the 1980s "WW" blueprint, similar to her emblem in the Kingdom Come miniseries.[ix]
Donna Troy has taken up the mantle of Wonder Woman; Diana has disappeared to parts unknown, though at that place are reports that she has been seen in the company of an eastern mystic named I Ching. The World Court drops the charges confronting Diana for the killing of Maxwell Lord.[9]
When Diana returns she takes on the persona of Diana Prince, now a clandestine agent and member of the Department of Metahuman Affairs. She is partnered with Nemesis and the two report to Sarge Steel. Her first assignment is to recall her sis Donna Troy, who has been kidnapped by several of her most persistent enemies; their powers have been augmented by Circe. After this is accomplished, Diana takes dorsum the title of Wonder Woman.[9]
In Wonder Woman Almanac (vol. 3) #i (2007), Circe gives Diana the "gift" of human transformation.[46] When she becomes Diana Prince she transforms into a non-powered mortal. She is content, knowing that she can become Wonder Woman when she wishes and be a member of the human race equally Diana Prince.[nine]
The relaunch was beset by scheduling problems as described by Grady Hendrix in his article, "Out for Justice" in The New York Sun. "By 2007 [Heinberg had] only delivered four issues...Ms. Picoult's v problems hemorrhaged readers...and Amazons Set on!, a miniseries commissioned to fill a hole in the book'due south publishing schedule caused by Mr. Heinberg'due south delays, was reviled past fans who decried it as an anathema."[47] Picoult's interpretation received acclaim from critics, who would take liked to have seen the novelist given more than time to piece of work. Min Jin Lee of The Times stated, "By furnishing a 21st-century emotional characterization for a 20th-century creation, Picoult reveals the novelist's dextrous hand."[48]
Gail Simone took up writing duties on the title beginning with issue #14.[49]
Effect #600 and beyond [edit]
DC Comics Executive Editor Dan DiDio asked fans for 600 postcards to restore the Wonder Woman comic volume to the original numbering, starting at #600. The publisher's part had received 712 postcards by the October 31, 2009, deadline. Equally a event, the numbering switched to #600 after Wonder Woman #44, in an anniversary upshot. Issue #600 featured several stories featuring work from guest creators such as Geoff Johns, George Pérez, Phil Jimenez, and Amanda Conner. The issue featured guest appearances from other female person superheroes such as Batwoman, Ability Girl, Batgirl, Stargirl and the Question.[nine]
Writer J. Michael Straczynski took over the title after Gail Simone in upshot #601.[l] [51] [52] The art team was Don Kramer and Michael Babinski.[53]
Straczynski's run focused on an alternating timeline created by the gods where Paradise Island was destroyed, leading to many Amazons being raised in the outside globe. It revolves around Wonder Adult female'due south attempts to restore the normal timeline, despite the fact that she does non remember it properly. Wonder Woman in this culling timeline has been raised in New York Metropolis as an orphan and is coming into her powers. She is aware of the presence of Amazons, just does not retrieve her childhood on Paradise Island.[54] [55] Wonder Woman wore a new costume designed by DC Comics co-publisher Jim Lee.[56] Writer Phil Hester connected the storyline.[57]
The decision to redesign Wonder Woman received considerable coverage in mainstream news outlets.[58]
The Wonder Woman in this timeline started off with a limited power set, but gained her magic lasso and the power of flying during the fourth installment of the story.[59]
Book 4 [edit]
In Baronial 2011, Wonder Adult female (vol. iii) was cancelled along with every other DC title equally role of a line-wide relaunch following Flashpoint. The series was relaunched in September with a new consequence #1 written past Brian Azzarello and drawn by Cliff Chiang. Wonder Adult female now sports some other new costume, once again designed by Jim Lee.[sixty] Azzarello describes the new Wonder Adult female book as beingness darker than the past series, fifty-fifty going then far as to phone call information technology a "horror" book.[61]
In this new continuity, Wonder Adult female's origin is significantly changed and she is no longer a clay figure brought to life by the magic of the gods. Instead, she is the natural-born daughter of Hippolyta and Zeus. The earlier origin story was revealed by Hippolyta to be a ruse thought up past the Amazons, to protect Diana from the wrath of Hera, who is known for hunting and killing several illegitimate offspring of Zeus.[62]
In the first story arc, Wonder Woman meets and protects a young woman named Zola, from Hera's wrath. Zola is significant with Zeus'due south child and Hera, seething with jealousy, intends to kill the kid.[62] [63] [64] [65] [66] [67] The major consequence in this story is the revelation of Diana'due south truthful parentage. Long ago, Hippolyta and Zeus battled each other. Their battle ended with the couple making love and thus Diana was conceived.[62] The first half dozen issues of the New 52 series are collected in a hardcover titled Wonder Adult female Vol. 1: Blood.[68]
The second storyline focuses on Wonder Woman'due south quest to rescue Zola from Hades, who had abducted her and taken her to Hell at the end of the 6th effect of the serial.[69] [lxx] [71] [72] The male Amazons are introduced and their origin story is revealed- the Amazons used to infrequently invade the ships coming most the isle and force themselves on the sailors, and then kill them. After nine months, the birth of the female person children are highly historic and inducted into the proper ranks of the Amazons, while the male children are rejected. In society to save the children from existence killed past the Amazons, Hephaestus trades them with the Amazons in exchange for weapons.[69]
The story then centers on Apollo trying to take over as King of Olympus due to his father Zeus' absence and Wonder Woman'south efforts to protect Zola from him, as it is prophesied that one of Zeus' children volition be his downfall, which Apollo considers to exist Zola's child.[73] [74] Wonder Adult female receives the power of flying by one of Hermes' feathers piercing her thigh and Zola'due south babe is stolen by Hermes at the stop and given to Demeter. The event's final folio shows a dark and mysterious man rising from the snow, taking a helmet and disappearing.[74] Issues 7–12 are collected in a hardcover titled Wonder Adult female Vol. two: Guts, scheduled for release in January 2013.[75]
A stand up-alone #0 Issue was released in September which explored Diana's childhood and her tutelage nether Ares, the God of War.[76] The outcome was narrated in the manner of a typical Aureate Historic period comic book and saw Diana in her childhood years. The primary plot of the result was Diana training under Ares, as he thought of her existence an extraordinary girl with immense potential. The upshot ultimately concluded with Diana learning and experiencing the importance of mercy, as she hesitates and refuses to impale the Minotaur - a job given to her by Ares; however, this bear witness of mercy makes her a failure in Ares' optics.
Creative person David Finch and writer Meredith Finch became the new creative team on the Wonder Adult female serial with upshot #36 (Jan. 2015).[77]
The series has been one of the most contradistinct of the New 52 event. Joey Esposito and Erik Norris of IGN noted that the new creative team provided "a creative well that appears abysmal."[78] Timothy Callahan of Comic Book Resources called the title "the best of the New 52" and described the work of Brian Azzarello and Cliff Chiang every bit "a clean, poetic story with a strong mythological pull."[79]
Volume 5 [edit]
| | This article needs to be updated. (August 2017) |
2016–present
Equally part of the DC Rebirth relaunch, writer Greg Rucka and artists Liam Sharp, Matthew Clark, and Nicola Scott produced a new Wonder Adult female serial for DC Comics in June 2016.[fourscore] Issues are numbered ane-83, then with the 84th result, the series reverted to legacy numbering with issue #750.
Wonder Woman will exist a part of the 2021 Space Frontier relaunch, beginning with issue #770. Another championship, "Sensational Wonder Adult female" will also exist a function of the relaunch.
Collected editions [edit]
References [edit]
- ^ a b c d due east Daniels, Les (2000). Wonder Woman: The Complete History. San Francisco, California: Chronicle Books. p. 63. ISBN0811829138.
- ^ Johnston, Rich (July 24, 2015). "Roy Thomas Tells The War Years Of Batman, Superman And Wonder Woman". Haemorrhage Cool. Archived from the original on Oct 27, 2015.
- ^ Greenberger, Robert (2010). Wonder Woman: Amazon. Hero. Icon. Milan, Italy: Rizzoli Universe Promotional Books. pp. 51–52. ISBN978-0789324160.
- ^ Bunn, Geoffrey C. (1997). "The lie detector, Wonder Woman and liberty: the life and work of William Moulton Marston". History of the Human Sciences. Thousand Oaks, California: Sage Publications. 10 (one): 91–119. doi:10.1177/095269519701000105. S2CID 143152325.
- ^ Lepore, Jill (2014). "The Concluding Amazon". The New Yorker.
- ^ Irvine, Alex "1950s" in Dolan, p. 90: "Wonder Woman'southward origin story and character was given a Silver Historic period revamp, courtesy of writer Robert Kanigher and creative person Ross Andru."
- ^ "Wonder Woman #98". Grand Comics Database. May 1958.
- ^ McAvennie, Michael "1960s" in Dolan, p. 131 "Ruddy Infantino wanted to rejuvenate what had been perceived as a tired Wonder Woman, then he assigned writer Denny O'Neil and artist Mike Sekowsky to convert the Amazon Princess into a secret amanuensis. Wonder Woman was made over into an Emma Skin type and what followed was arguably the most controversial menstruum in the hero's history."
- ^ a b c d e f m h i j k fifty chiliad n o p q r southward Jimenez, Phil; Wells, John (2010). The Essential Wonder Woman Encyclopedia. New York, New York: Del Rey Books. pp. 420–421. ISBN978-0-345-50107-3 . Retrieved November 26, 2011.
- ^ Greenberger p. 172: "The staid book suddently looked new and vibrant, thanks to a new colour scheme and mod designs from Sekowsky. He was heavily influenced by then-popular British television serial The Avengers."
- ^ O'Neil, Dennis (west), Sekowsky, Mike (p), Giordano, Dick (i). "A Death for Diana!" Wonder Woman 180 (January–February 1969)
- ^ McAvennie "1970s" in Dolan, p. 154 "After nearly five years of Diana Prince's not-powered super-heroics, writer-editor Robert Kanigher and artist Don Heck restored Wonder Woman's...well, wonder."
- ^ Greenberger p. 175: "Journalist and feminist Gloria Steinem...was tapped in 1970 to write the introduction to Wonder Woman, a hardcover drove of older stories. Steinem later went on to edit Ms. Magazine, with the commencement result published in 1972, featuring the Amazon Princess on its embrace. In both publications, the heroine's powerless condition during the 1970s was pilloried. A feminist backfire began to grow, demanding that Wonder Woman regain the powers and costume that put her on a par with the Man of Steel."
- ^ Pasko, Martin; Wein, Len; Bates, Cary; Maggin, Elliot S.; Michelinie, David (2012). Wonder Woman: The Twelve Labors. New York, New York: DC Comics. p. 232. ISBN978-1401234942.
- ^ McAvennie "1970s" in Dolan, p. 172 "The comic's time and Earth shifts were really dictated past ABC-TV'south popular Wonder Woman TV serial, fix during World War Two, and they continued in this era for the next fifteen bug."
- ^ Manning, Matthew K. "1980s" in Dolan, p.187 "This landmark effect too saw the return of Steve Trevor to Wonder Woman'southward life in the main feature by writer Gerry Conway and penciler José Delbo."
- ^ Sanderson, Peter (September–October 1981). "Thomas/Colan Premiere Wonder Woman'due south New Look". Comics Feature. New Media Publishing (12/13): 23.
The hotly-debated new Wonder Woman uniform will be bestowed on the Amazon Princess in her kickoff adventure written and drawn by her new creative team: Roy Thomas and Cistron Colan...This story will appear equally an insert in DC Comics Presents #41.
- ^ "Wonder Woman #288". Yard Comics Database. February 1982.
- ^ Keith Dallas, Jason Sacks, Jim Beard, Dave Dykema, Paul Brian McCoy (2013). American Comic Book Chronicles: The 1980s. TwoMorrows Publishing. pp. 47–eight. ISBN978-1605490465.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ Klein, Todd (January 18, 2008). "Logo Study: WONDER WOMAN part iii". Klein Messages. Retrieved April 21, 2017.
- ^ Manning "1980s" in Dolan, p. 200: "The Amazing Amazon was joined by a host of DC's greatest heroes to celebrate her 300th issue in a seventy-two-page blockbuster...Written past Roy and Dann Thomas, and penciled by Factor Colan, Ross Andru, January Duursema, Dick Giordano, Keith Pollard, Keith Giffen, and Rich Buckler."
- ^ Mangels, Andy (December 2013). "Nightmares and Dreamscapes: The Highlights and Horrors of Wonder Woman #300". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (69): 61–63.
- ^ Thomas, Roy (Summer 1999). "The Secret Origins of Infinity, Inc". Alter Ego. Raleigh, North Carolina: TwoMorrows Publishing. 3 (1): 27.
- ^ Manning "1980s" in Dolan, p. 202: "The sorceress Circe stepped out of the pages of Homer's Odyssey and into the modern mythology of the DC Universe in Wonder Adult female #305, courtesy of Dan Mishkin's script and Cistron Colan's pencils."
- ^ Coates, John (2014). Don Heck: A Work of Art. Raleigh, North Carolina: TwoMorrows Publishing. pp. 168–169. ISBN978-1605490588.
The circulation numbers reported in #325 evidence a -46% subtract over the previous 24 issues, back to #303.
- ^ Cronin, Brian (April i, 2010). "Comic Volume Legends Revealed #254". Comic Book Resources. Archived from the original on November thirteen, 2011. Retrieved Nov 6, 2011.
Gerber and Frank Miller pitched DC on revamps of the "Trinity." The three titles would be called by the "line proper name" of Metropolis, with each character being defined past one give-and-take/phrase… AMAZON (written by Gerber); Night KNIGHT (written by Miller); and Something for Superman – I believe either Human OF STEEL or THE Homo OF STEEL, merely I'thou not sure nigh that (written by both men).
- ^ McAvennie, Michael; Dolan, Hannah, ed. (2010). "1970s". DC Comics Twelvemonth By Year A Visual Chronicle. Dorling Kindersley. p. 187. ISBN978-0-7566-6742-9.
The girl of Batman and Catwoman from Earth-2 found a new home away from habitation in the pages of Wonder Woman's monthly title...a regular gig as the back-upward characteristic to the Amazing Amazon's lead story. Handled past writer Paul Levitz and creative person Joe Staton, the Huntress faced the villainy of the swamp brute Solomon Grundy.
- ^ Gilt, Alan "Wonder Words" letter of the alphabet column, Wonder Woman #329 (Feb 1986) "[Alan Gold will] be turning over the editorial reins to Janice Race...She has been working for several months already, as a matter of fact, with a brilliant new writer named Greg Potter."
- ^ "Newsflashes". Amazing Heroes. Fantagraphics Books (#82): 8. November i, 1985.
Pérez's Amazon: George Pérez will be co-plotting and penciling the new Wonder Woman serial, scheduled to debut in June 1986 [sic]. Greg Potter will exist the writer and co-plotter with Pérez
- ^ Pérez, George "The Wonder Of It All" text article Wonder Woman #ane (February 1987)
It was the fall of 1985...I walked into editor Janice Race's role to detect out almost the fate of Diana Prince. I was curious to learn who was going to describe her. Superman had [John] Byrne and [Jerry] Ordway, Batman had [Frank] Miller and [Alan] Davis (and later [David] Mazzucchelli). Wonder Woman had...No one. A writer, Greg Potter, had been selected but no established artist wanted to handle the new series. After exhaustive searches, it seemed Wonder Woman would have to be assigned to an unknown...I thought of John Byrne and Superman. What a giant coup for DC. A top talent and fan-fave on their premier character..."Janice" I heard myself say "What if I took on Wonder Woman for the kickoff half-dozen months – just to get her out of the starting gate?"
- ^ Berger, Karen letter column, Wonder Woman #5 (June 1987) "Greg is also the artistic director of a Connecticut-based advertising agency. Greg chose to further his career in the aforementioned area, and very reluctantly had to relinquish the scripting after helping to launch our serial."
- ^ Nolen-Weathington, Eric (2003). Modernistic Masters Volume two: George Pérez. Raleigh, North Carolina: TwoMorrows Publishing. p. 50. ISBNi-893905-25-X . Retrieved November 16, 2011.
But with the changes I [George Pérez] was making, I call up Greg decided that maybe it wasn't for him and he bowed out later on issue #2.
- ^ Mindy Newell's Wonder Woman credits at the Grand Comics Database
- ^ Mangels, Andy (January 1, 1989). "Triple Threat: The George Pérez Interview". Amazing Heroes. Fantagraphics Books (#156): thirty.
Wonder Woman'southward sales are some of the best the Amazing Amazon has ever experienced, and the book is a critical and pop success with its weaving of Greek mythology into a feminist and humanistic atmosphere.
- ^ Manning "1980s" in Dolan, p. 227 "With the help of Pérez's meticulous pencils, as well equally his guidance every bit co-plotter, Wonder Woman was thrust further into the realm of Greek mythology than she'd ever been before."
- ^ Daniels, Les (1995). "The Amazon Redeemed Wonder Woman Returns to Her Roots". DC Comics: Sixty Years of the World's Favorite Comic Book Heroes. New York, New York: Bulfinch Press. p. 194. ISBN0821220764.
Creator William Moulton Marston had mixed Roman gods in with the Greek, but Pérez kept things straight even when it involved using a less familiar name like 'Ares' instead of 'Mars'. The new version as well jettisoned the weird technology anachronistically nowadays on the original Paradise Isle.
- ^ a b c Wein, Len (w), Pérez, George (p), Patterson, Bruce (i). "Echoes of the By" Wonder Woman v2, #12 (Jan 1988)
- ^ Messner-Loebs, William (w), Cullins, Paris (p), McLaughlin, Frank (i). "Breaking Bonds" Wonder Woman v2, #68 (November 1992)
- ^ Messner-Loebs, William (w), Cullins, Paris (p), Tanghal, Romeo (i). "Habitation Again" Wonder Adult female v2, 71 (February 1993)
- ^ Manning "1990s" in Dolan, p. 280 "It seemed Wonder Woman had breathed her terminal in Wonder Adult female #124, thanks to writer and artist John Byrne."
- ^ Manning "1990s" in Dolan, p. 284 "Author/artist John Byrne was leaving Wonder Woman...But before he could motility on to other projects, there was one final thing Byrne yet had to do: bring Wonder Adult female back from the dead."
- ^ Cowsill, Alan "2000s" in Dolan, p. 298 "The 'Gods of Gotham' storyline marked the start of Phil Jimenez's run on the series as artist and writer (with J. M. DeMatteis on board as co-scripter for the beginning arc)."
- ^ Jimenez, Phil (w), Jimenez, Phil (p), Lanning, Andy; Stucker, Lary; Alquiza, Marlo (i). "The Witch and the Warrior Part One" Wonder Woman v2, #174 (November 2001)
- ^ Jimenez, Phil (due west), Jimenez, Phil; Badeaux, Brandon (p), Lanning, Andy; Stucker, Lary; Marzan Jr., José; Conrad, Kevin; Alquiza, Marlo (i). "The Witch and the Warrior Office Two: Girl Frenzy" Wonder Woman v2, #175 (December 2001)
- ^ Jimenez, Phil (westward), Jimenez, Phil (p), Lanning, Andy (i). "The Witch and the Warrior Part Iii: Hateful Hate" Wonder Woman v2, #176 (January 2002)
- ^ Heinberg, Allan (w), Dodson, Terry (p), Dodson, Rachel (i). "Who Is Wonder Woman? Office Five" Wonder Woman Annual v3, #1 (November 2007)
- ^ Hendrix, Grady (December 11, 2007). "Out for Justice". The New York Sun . Retrieved May 21, 2012.
- ^ Lee, Min Jin (Jan 18, 2008). "Wonder Woman: Love and Murder by Jodi Picoult". The Times. Archived from the original on July six, 2008. Retrieved April 29, 2012.
- ^ Simone, Gail (west), Dodson, Terry (p), Dodson, Rachel (i). "The Circumvolve Part 1 of Four: What You Practise Not Yet Know" Wonder Adult female v3, #14 (January 2008)
- ^ "J. Michael Straczynski to write Superman and Wonder Woman, starting in July". DC Comics. March 8, 2010. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ Phegley, Kiel (March 8, 2010). "Straczynski Steps Up For Superman & Wonder Woman". Comic Book Resources. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ "Straczynski Talks Superman & Wonder Woman". Newsarama. March 8, 2010. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ "Who destroyed Paradise Island?". DC Comics. April 15, 2010. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ Rogers, Vaneta (June 29, 2010). "JMS Talks Wonder Adult female'south New Wait and New Direction". Newsarama. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ George, Richard (July 7, 2010). "Wonder Adult female's New Era". IGN. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ Gustines, George Gene (June 29, 2010). "Makeover for Wonder Woman at 69". The New York Times. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ Ching, Albert (November 10, 2010). "JMS Leaving Superman and Wonder Woman for Earth 1 Sequel". Newsarama. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ "Fans react to Wonder Woman'south costume change". CNN. July 1, 2010. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ Straczynski, J. Michael (w), Kramer, Don; Pansica, Eduardo (p), Leisten, Jay (i). "Odyssey Part Four" Wonder Woman #604 (December 2010)
- ^ Thill, Scott (August 31, 2011). "Rebooted Justice League Offers Peek at DC Comics' 'New Globe Order'". Wired. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ Melrose, Kevin (August 22, 2011). "Relaunched Wonder Woman is 'a horror book,' Brian Azzarello says". Comic Volume Resources. Archived from the original on May 24, 2012. Retrieved May 23, 2012.
- ^ a b c Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Clay" Wonder Woman v4, #3 (January 2012)
- ^ Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "The Visitation" Wonder Woman v4, #i (November 2011)
- ^ Azzarello, Brian (due west), Chiang, Cliff (p), Chiang, Cliff (i). "Home" Wonder Woman v4, #ii (December 2011)
- ^ Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Blood" Wonder Woman v4, #4 (February 2012)
- ^ Azzarello, Brian (w), Akins, Tony (p), Akins, Tony (i). "Lourdes" Wonder Adult female v4, #5 (March 2012)
- ^ Azzarello, Brian (w), Akins, Tony (p), Akins, Tony; Greenish, Dan (i). "Thrones" Wonder Woman v4, #half-dozen (April 2012)
- ^ Azzarello, Brian; Chiang, Cliff (2012). Wonder Adult female Vol. 1: Blood. New York, New York: DC Comics. p. 160. ISBN978-1401235635.
- ^ a b Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Il Gangster dell'amore" Wonder Woman v4, #7 (May 2012)
- ^ Azzarello, Brian (westward), Chiang, Cliff (p), Chiang, Cliff (i). "Casting Shadows" Wonder Adult female v4, #eight (June 2012)
- ^ Azzarello, Brian (westward), Chiang, Cliff (p), Chiang, Cliff (i). "The Dearly Beloved" Wonder Woman v4, #9 (July 2012)
- ^ Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Vows" Wonder Woman v4, #10 (August 2012)
- ^ Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Son Rise" Wonder Woman v4, #xi (September 2012)
- ^ a b Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Nascence Right" Wonder Adult female v4, #12 (October 2012)
- ^ Azzarello, Brian; Chiang, Cliff (2013). Wonder Woman Vol. two: Guts. New York, New York: DC Comics. pp. 144. ISBN978-ane-4012-3809-iv.
- ^ Azzarello, Brian (w), Chiang, Cliff (a). "The Lair of the Minotaur!" Wonder Woman v4, #0 (Nov 2012)
- ^ Campbell, Josie (July 1, 2014). "Meredith, David Finch Discuss Taking Wonder Woman More 'Mainstream'". Comic Book Resources. Archived from the original on Nov eighteen, 2014.
Azzarello and Chiang manus over the keys to the Amazonian demigod's earth to the merely-announced husband-and-married woman squad of artist David Finch and writer Meredith Finch.
Archive requires scrolldown - ^ Esposito, Joey; Norris, Erik (Dec xiv, 2011). "The All-time of DC Comics in 2011. What are the best books coming out of the DC relaunch?". IGN. Archived from the original on September 17, 2012. Retrieved September 16, 2012.
Sometimes it takes a completely fresh set of eyes to reignite the flame of creativity...By deeply rooting their new Wonder Woman series in Greek mythology, Brian Azzarello and Cliff Chiang take tapped into a creative well that appears abysmal.
- ^ Callahan, Timothy (November 28, 2011). "When Words Collide: The New 52 First Quarter Review". Comic Book Resource. Archived from the original on September 17, 2012. Retrieved September 16, 2012.
What is worth reading? "Wonder Woman," definitely. Information technology's the best of the new 52. Brian Azzarello and Cliff Chiang are telling a make clean, poetic story with a potent mythological pull and a fierce warrior of a Wonder Woman.
- ^ Phegley, Kiel (May 23, 2016). "Rucka, Abrupt & Scott Aim To Make Rebirth's Wonder Woman Accessible & Fantastic". Comic Volume Resources. Archived from the original on September ten, 2016.
While Wonder Woman sees the return of author Greg Rucka, he's teaming up with Liam Sharp, Matthew Clark and Nicola Scott to deliver a very unlike take from his previous run with the Amazon Princess.
Archive requires scrolldown.
External links [edit]
Source: https://en.wikipedia.org/wiki/Wonder_Woman_%28comic_book%29
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